Lopez had the ability to transform clothes into a design: something that fascinated Rosita Missoni, with whom Lopez collaborated on several occasions, sketching the advertising campaigns for the brand.
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Antonio Lopez is an early talent start studying fashion at the age of twelve, and his career takes off very early: just over twenty is already a celebrity among the offices New York Times, Harper’s Bazaar, Interview and Vogue, where illustrates editorials and collections. The magazine at the beginning was built around the relationship between Anna Piaggi and Antonio Lopez, the most chameleonic among the fashion illustrators who worked in the 1980s. The English clothes could be photographed, but the Italian really needed interpretation.” (Anna Piaggi, interview appeared on Blitz number 49, January 1987) At that time, 1981 to 1984, it was probably a good idea I wanted to express the idea of fantasies, but the clothes were all tied up with advertising, so to give the clothes a new spirit, I commissioned illustrators, and this was very relieving. “It was a chance to step out of photography, and just work with illustrators. The magazine was almost entirely illustrated, with a graphic language that mounted together images and words, configuring as a sort of narrative map of the complex and varied scenario of a pivotal moment for international fashion.
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Vanity was a magazine published in Italy by Condé Nast between 19. The so-called avant grade magazine was a project conceived by Anna Piaggi, an important and visionary fashion editor, as a “concept magazine” that she herself described as a mathematical axiom, a wonderful synthesis or observation collected in a short saying.